“…being rattled by this film’s relentless and shameless ideological political jackhammer for 98 minutes, is not an experience I would recommend in any sort of a hurry.” – Wayward Wolf.
It goes without saying that we live in divisive times.
I’d wager that there’s a representative portion of society that would almost certainly argue that the idea of a Purge being imposed upon the population at this particular juncture in time might not be so fanciful an idea after all.
We are all tumbling helplessly into a neo-fascist far-right wing superstate after all, didn’t you hear?
Set on Staten Island, New York City, Gerard McMurray’s film tells of the build up to and events of the very first purge, upon whose experimental ‘successes’ all subsequent purges were to be based.
As ever, the whole notion of a human purge is an incredibly intriguing idea upon which to base a motion picture. and this probably explains why I have retained at least a cursory interest in this frequently misfiring franchise.
Sadly, The First Purge is not just a bad film, it’s by far and away the worst film I’ve had the misfortune to witness in quite some time. Its poisonous cocktail of B-Movie sensibilities and enormously contrived narrative, blend like out-of-date soya milk and cold coffee to produce a lumpen misshapen cliche-riddled pile of old bollocks.
To add insult to injury, the whole sorry episode plays out like an ill-informed simplistic brain-washed sixth form school project done on behalf of their class tutor, who just so happens to be a fully paid-up member of the Democratic Party of the United States of America.
Rabid Democratic political bias dominating the narrative of a Hollywood motion picture? Whatever next?!!
Now, whatever your political persuasion may be, being rattled by this film’s relentless and shameless ideological political jackhammer for 98 minutes, is not an experience I would recommend in any sort of a hurry.
To summarise: White men are all evil negro-lynching KKK-hooded Republicans intent upon suppressing ethnic minorities and installing some kind of totalitarian fascist super state upon us all. And everyone else – serial killers and drug-dealing gang bosses included – are simply victims of an unjust society, and just fine.
In these times of such fractious divisions in society, more than ever the arts have a real part to play in providing honesty. How good would it be if mainstream films like this made an effort to heal and encourage constructive dialogue between politically-divided people?
Unfortunately, sensationalist offerings such as The First Purge are evidently completely disinterested in offering any sort of olive branch of reconciliation, and do nothing but titillate and segregate the ‘them and us’ still further.
No matter what positives Gerard McMurray’s agenda-driven nonsense occasionally throws up – and there are admittedly a few ideas and set pieces strewn about the place which stick in the memory – The First Purge, on balance, is nothing more than poorly made propaganda-laced self-congratulatory virtuous twaddle that succeeds only in dragging an already patchy franchise kicking and screaming through the cinematic gutter.